Distilling Kwong Man Chun’s studies of China Southern Culture and Chinese notions of void and emptiness, Kwong Man Chun found his own singular vehicle through which to pronounce his own worldview: that of the lake that is pure and reflected. Through perspective, environment, mirroring and weathering, he diligently examines a metaphysical, human sense of being. In “Huang Cen Ling and Tenemen House”, existing within Kwong Man Chun’s aesthetics and thinking, the perspective of Chinese Genre Painting and brings them together with splash ink and colour. Attempt to deconstruct the texture and elegance of water, stones, flowers, furniture. a fantasy volume composed of scenery and shapes his presentation: the previous generation established what they thought of eternity for us. Kwong holds a Bachelor of Arts in Visual Arts from Hong Kong Baptist University. He has participated in exhibitions in Hong Kong, China, Japan, Australia and USA since 2013.